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In this sense, of course if something needs to be considered are the existing controversies, about visions and different stigmatization produced throughout the history of Christianity and certainly, there silence on the part of ecclesiastical institutions around these phenomena ...

It is noteworthy that such disputes are generated based on the first novel and hitherto unknown aspects of the crucifixion, these facts that make such disputes are generated, as in both views as the stigmatization.
However, the really interesting thing in itself is not the materialization of these presentations or demonstrations which seek ecclesiastical institutions but the content itself of messages that carry these realizations and visions on the Passion of Jesus Christ ....
We must take into account, the account of the demonstrations gotten in messages such significance and importance of critical situations occurring on that question or produce a global consciousness shift in political and social levels that affect directly to the revitalization of the world or of humanity itself, if and clear example of such events, we have in the three messages of Fatima ...
Regardless of all this, we must always consider the fact to what extent growth and overflow of this type signs and phenomena are the result of somatization itself of individuals, or actually we are facing, despite irregularities in the signals gotten stigmatized those who suffer a new phenomenology aimed at the call of the new era of prophecy about the coming of Christ, or the change of a global consciousness that directs the world, the so-called apocalypse or end of time.
Sea to consider in one way or another, discuss each of the phenomena presented here so that together we can complete a thought, or objective enough impact on the meeting of a truth that perhaps many do not understand and we should probably start consider ....

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VISIONS OF THE CRUCIFIXION

If you really, something has been important throughout the history of events that have surrounded the passion and death of Jesus Christ in the life of the Blessed and Saints of the Catholic Church, these are the brands in itself that has meant the witness and signed word with somewhat strange events beyond rational explanation, giving rise to the testimony of faith and true belief of these two episodes experienced by Jesus Christ; their visions, and in their stigmatization ...



While certainly many of these facts, remain phenomena studied by science as well by the Church itself, we should be clear that the sensationalism and their impact, are still causing a fascinating field of reflection when we can understand and comprehend the purpose of these messages, which at this moment, we begin it should be noted and the knowledge itself of the views of some of these Blessed and Saints of the Catholic Church ...
To approach this phenomenology, I would propose to start with one of the figures that in itself may not tell you anything, but the significance of his vision has led and created one of the episodes and closer sense of reality of the passion and death of Jesus, approaching from the essence of the feeling of your vision to reality beyond, written and versed in the entire history of mankind and that the film since its ability to transmission has been known since the fortress itself of its image, to integrate fully into this fascinating and mysterious delivery of Jesus to mankind.
In this case I mean "The Passion" of Jesus Christ, a film directed by Mel Gibson, and that was a product of the origin of a vision of Blessed Anne Catherine Emmerich ...


Anne Catherine Emmerich: ( Data contributed by Wikipedia ...)

Blessed Anne Catherine Emmerich OSA ( Flamske , September 8 of 1774 - Dülmen , February 9 of 1824). Catholic Augustinian nun , mystical, visionary stigmatized and German. Flamske born in a farming community, now in the Diocese of Münster in Westphalia Dülmen and died at age 49. She was beatified by Pope John Paul II the October 3 of 2004. On how to transcribe his name as the surname recorded Emmerich in Germany.

Since childhood I had visions in which she appeared mainly the Baby Jesus turning over the cross. Entered an Augustinian monastery. When he was 24 he began to appear stigma that became visible regularly at Christmas and New Year.

His views were described by Clemens Maria Brentano poet and novelist of German Romanticism (Ehrembreiststein, October 9, 1788 - Aschaffenburg, July 28, 1842). Stigmas .-

In 1813 when she was sick in bed, the stigmas displayed in your body. Episcopal commission to investigate his life and examining their miraculous signs. The Vicar General Orvergerg and three doctors, one Protestant , undertook his research. Apparently they reportedly convinced his holiness and authenticity of his stigmata.

A Ana Catalina late 1818 reveals that God gives through prayer or relief of stigmata, and the wounds of his hands and feet are closed, but the others maintain, and Friday everyone turns to reopen.

Emmerick In 1819 returns to be investigated again. She was taken by force to a large room in another house and kept under strict surveillance by day and night over a period of three weeks, away from all her friends except her confessor. Visions

.- Anne Catherine Emmerich

thus recounted visions of his childhood: "When, towards the age of five or six years, I meditated on the first article of the Apostles' Creed I believe in God the Father, God Almighty, Creator of heaven and earth "means any kind of images which cited the creation of heaven and earth is presented to my soul. I saw the Fall of the Angels, the Creation of Earth and Heaven , Adam and Eve , and the Fall of Man . Just thought everyone saw this, like other things that surround us. I talked about this to my parents, my brothers and sisters, my fellow players, had all this naively, until the moment when I realized I made fun of me, wondering if he had a book which all this was written. So gradually I started to shut these things, thinking, without much reflection that it was inappropriate to discuss such issues, however, I did not have any particular concerns about that " At the time of its second investigation in 1819 church, the famous poet Clemens Maria Brentano was induced visit, to the great surprise of this, she said she had been brought by divine inspiration, as the man who wrote his revelations and would comply with the will of God, that is, writing for the good of innumerable souls the revelations for it.

From 1819 until his death in 1824 Brentano register their views by filling forty volumes with detailed scenes and New Testament passages and the life of the Virgin Mary. The details were set out with great vividness, maintaining the reader's interest as a graphic scene that follows each other in rapid succession as if visible to the naked eye. Brentano took written briefly the main points, and as she spoke the dialect of Westphalia, the poet immediately rewrite in standard German. Then he read aloud to change until she gave him their full approval.

After 1824, Brentano had their records prepared for publication and in 1833 published his first book, The Dolorous Passion of Our Lord Jesus Christ according to the visions Anne Catherine Emmerich, who has been made into a film by Mel Gibson . Brentano then prepared for publication the life of the Blessed Virgin Mary according to the visions of Anne Catherine Emmerich, but he died in 1842. The book was published posthumously in 1852 in Munich.

The Catholic priest Father Karl Schmoger edit the Brentano's manuscripts from 1858 to 1880 and published three volumes of The Public Life of Our Lord described very detailed facts of the life of Jesus, since , which reads in the Gospels in minutes may take a few hours in the visions of Anne Catherine. Acts Highlights of Jesus as walking on water would have been repeated, and the merchants from the Temple of Jerusalem have been thrown out several times. In 1881 a large illustrated edition, Schmoger also wrote a biography of Anne Catherine Emmerich in two volumes, which has been reissued in English.

These texts contain several notable passages. The Visions of Emmerich were used for the discovery of the house of the Virgin Mary on a hill near the city of Ephesus . Neither Emmerich and Brentano had gone to Ephesus, and indeed, the city has not yet been excavated, but the visions contained in the life of the Virgin Mary used during discovery. The Holy See has taken no official position on the authenticity of the location, but in 1896 Pope Leo XIII visited the site and in 1951 Pope Pius XII initially declared the house a sacred place. Pope John XXIII later made permanent statement. Pope Paul VI in 1967, John Paul II in 1979 and in 2006 Benedict XVI visited the house and was treated as a shrine.

also had visions of the Blessed Trinity as three concentric spheres built - the largest, represented the Father, the middle to Son, and the smallest and most enlightened of the Holy Spirit .

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MARKS AND SAMPLE HISTORY OF THE SHROUD ... TEACHER'S COMMENTS

The historical reality shows:

Year 30 - A anonymous and humble weaver shapes their most beautiful and fine linen . Sale of handloom a precious canvas, ignoring its creator that this beautiful material, would Sagrada history.

Year 33 - Joseph of Arimathea bought the expensive fine Sindone to, temporarily put on it to Jesus Christ which fell from the cross with permission from Pontius Pilate. The disciples Peter and John, once away from the tomb in a hurry the Shroud empty, the first folded in half and fold over that in four more, to make it visible only His Face. He remained hidden among his disciples as having shrouds funerararias was a serious offense to the Jewish law.

Year 40 - One of the disciples, Judas Tadeo, carried to Edessa. Byzantine historian Georges Gharib East showed that the tradition says that King Abgar of Edessa was healed the leper and 40 years receive the canvas with the image of Jesus Christ. This He did convert to Christianity. The canvas was in a monastery of monks. After some time away and only his memory remains as the successor of Abgar returned to paganism and the Christians of the city hid the Shroud.

Year

525 - During the restoration of Hagia Sophia is found "by chance" hidden in a niche of the walled city on the western gate of Edessa as the chronicler writes Evagrius in the decade from 590 . Teofilaco VII century recounts that during a campaign against the Persians Mandylion (Greek word literally fabric "was not painted by human hand") and there it was called, bent was showing only the face of Christ.

Year

544 - For the first time that flag was fully deployed to give courage to the soldiers of Edessa and is credited with saving the city on the site conducted by the Persians. It was called acheropita (not made by human hand).

Year 944 - The Byzantine armies in the course of a campaign against the Arab sultanate of Edessa, take possession of the Shroud picture Mandylion or not made by human hand and solemnly carried to Constantinople on 16 August, by order of Roman Emperor Lecapenus. It preserves the Greek manuscript of a sermon on the 16th of August, 944 Gregory archdeacon of Hagia Sophia in Constantinople, the day he arrived on the Shroud of Edessa to Constantinople. The Byzantine Church liturgical books left in the event of transfer of Mandylion of Edessa to Constantinople.

Year 1147 - Louis VII, King of France during his visit to Constantinople, venerate the Shroud.

Year 1203 - The Templar cross columnist Robert Clary, in a manuscript in the Library Royal Copenhagen writes: " The Shroud, where Our Lord was wrapped, was there, and every Friday stretched vertically, so you could see the figure of Our Lord. " ...

Year 1204 - After the looting and destruction of Constantinople on April 12, is secretly held by the Knights Templar who retained the Shroud in the fortress of Acre until 1291 guarded by the warrior monks and from there taken to the Templar headquarters Villeneuve-du-Temple, Paris. Until the year 1357 remained hidden.

Year 1307 - King Philip the Fair of France dissolved the Order of the Templars and the execution of its members.

Year 1357 - the web is shown for the first time in Europe in the chapel of Lirey, France, located 150 kilometers from Paris. The knight Geoffroy de Charny built the chapel for the Shroud, it is unclear how and when he took charge of it, he could not disclose that the order came from "cursed" by the Knights Templar, had been executed as one of them, it was secret. The Bishop of Troyes, Henri de Poitiers, whose diocese belonged Lirey collegiate called Geoffroy de Charny explanations on the subject that attracted much public. He simply gave the ambiguous answer that was a gift, without mentioning names. He explained that the relic had owned for three years. His widow kept the Shroud and Unveils despite the opposition of two regional bishops. Years later, the granddaughter of Geoffrey de Charny, Margarita, is responsible for the Shroud and is pursued by "snatch" of the Church of Lirey.

Year 1389 - Pierre d'Arcis, Bishop of Troyes, forbids the display of the Shroud.

Year 1453 - The Dukes of Savoy in Geneva receive the testimony and give him the old Margarita Varombon Castle.

Year 1509 - Margaret of Austria donates a silver urn which is conserved.

Year 1532 - There was a fire in the Chapel of the saved and the fire melted part of the silver urn on the folded fabric falling drops of molten silver pierced the canvas folding.

Year 1533 - Between April 15 and May 2, these holes were repaired by the Poor Clare nuns of Chambéry, who sewed 16 triangular patches with white linen in the larger holes and attached a fabric backing on the back of the Shroud (known as Holland cloth) to strengthen it. It is said that before 1200 was exposed to his first fire.

Year 1535 - For reasons of war, the fabric is transferred to Turin, then to Vercelli, Milan, Nice and back to Vercelli, where he remained until 1561, when it is returned to Chambéry.

Year 1694 - Emmanuel Philibert of Savoy, the move on September 14 in Turin, the new capital of Savoy, being placed in the chapel which had been commissioned to build the architect Guarini, where he has remained for 308 years.

Year 1706 - In June, the Shroud is transferred to Geneva due to the siege of Turin, at the end of which is returned to the city of Turin.

Year 1898 - the first picture is taken by lawyer Secondo Pia between 25 and 28 May. It started with medico-legal studies.

Year 1931 - During the exhibition by the marriage of Umberto of Savoy, the Shroud is photographed again by the professional photographer Giuseppe Enrie.

Year 1939 - During World War II, the Shroud is hidden in the sanctuary of Montevergine (Avellino) on 25 September 1939 to October 28, 1946.

Year 1969 - From 16 to June 18 there is a recognition of the relic of a study commission appointed by Cardinal Michele Pellegrino. It makes the first color photograph, taken by Giovanni Battista Judica Cordiglia.

Year 1973 - First live television show (November 23).

Year 1978 - Celebrating the Fourth Centenary of the transfer of the Shroud of Chambéry to Turin, with public exhibition from 26 August to 8 October. It then performs an analysis of the expert team of STURP (Shroud of Turin Research Project), who conducted the investigation of 120 hours.

1983 - Death March 18 the king of Italy in exile, Umberto II of Savoy, who left in his will and bequeathed the Shroud to the Holy See.

Year 1997 - On the night of 11 to 12 April the Shroud was exposed to the third fire in its known history.

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"I will pour upon the house of David, and upon the inhabitants of Jerusalem, the Spirit of grace and prayer, and make access eyes on Me whom they have pierced. I cry, cries as the only son, and shall mourn for him bitter, as is usually done by the eldest son "Zac 12, 10

" Vela for each of his bones, not one will be broken "Ps 34.21


"Coming to Jesus, seeing that he was dead, did not break his legs, but one of the soldiers pierced his side with a lance and immediately blood and water came " (Jn. 19 ,33-34).

the spear and the wound in his side :

is a widely held belief common to place the heart on the left chest , but this location is not exact.
The heart occupies a middle position and above and rests on the diaphragm, behind lung and bone breastplate sternocostal in the anterior mediastinum.
Only the tip is positioned clearly on the left, while its base right above the sternum.

that probably as a result of popular opinion that places the heart on the left breast there is a tradition of opinions that put the thrust of the spear and struck on the left side of Jesus. Not all freewheeling. St. Augustine, for example, talks in the City of God " latere dextro, right flank, and also St. Francis of Assisi. According to Barbet, the Sabana Santa has been to elucidate its objective witness this problem, like so many others. The shape of the canvas, with the manifestation of the wound, proved that the body of Christ suffered launched on the right side and not on the left.



Obser so vase in the picture above the Savannah a huge blood clot on the right side, stretching up and down about six inches in a dimension of 15 cm .
Its inner margin appears serrated with rounded serrations. This blood stain highlighted in the Savannah, seen in broad daylight, on the crimson hue. The top of the clot, the closest to the wound, is thicker and wider, and it clearly distinguishes an oval track, which is obviously the mark of the wound in his side. This wound measured 4.4 inches long by 1.5 wide.

Barbet, shows that the wound was opened by a lance actuated by a foot soldier from the soil, which entered through the fifth intercostal space right across the pleura and pericardium and struck the right atrium. The blood that flowed came the launch of the atrium, and water, the pericardium, by virtue of extremely painful agony of the Savior.

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BARBET II TEACHER COMMENTS

Dr. Pierre Barbet

During 1932, the French forensic pathologist Pierre Barbet, thanks to new higher quality photos taken the year above, began to study the image from the medical point of view. The position of the wounds caused by nails in the wrists, not the palms, as traditionally represented, led to work with corpses, discovered that the palms of the hands can not withstand the weight of a dead body, let alone that of a living body contorts, the flesh is torn apart quickly. Barbet showed that the only way a body was crucified the nails through the wrist, as with the image of the Shroud whose traces correspond to the "free space Destot, a small space between bones of the wrist where it can penetrate a nail size used by the Romans and be perfectly anchored. The ligaments of these bones provide sufficient support to resist traction of 70 kg. In addition, a nail placed and damages the median nerve, causing involuntary contraction of the thumb toward the palm of the hand, as evidenced by the Canvas and Yves Delage noted 30 years ago ... He noted that the trickle of blood from the arms move down along with the large blood stain on the forehead indicate that the blood flowed and coagulated while the body was upright, with arms extended and slightly above the head . The blood flowed as the natural contour of the body. Barbet concluded, according to his studies, saying: The picture on the Shroud is clinically accurate.

corroborated the study by Dr. Yves Delage (Professor of Anatomy Compared to the Sorbonne, surgeon of the Academy of Sciences in Paris) Pierre Barbet doctors (surgeon of the Hospital de S. José de Paris) Cordiglia Judica Giovanni (Professor of Forensic Medicine of the University of Milan). And current medical analyzed not only photos but the very fabric of the Shroud, such as Dr. Robert Bucklin (medical forensic pathologist at the Hospital of Los Angeles, California), Dr. Rudolf W. Hynek (in the Prague Academy of Medicine), Dr. Pier Luigi Baima Bollone (Professor of Legal Medicine, University of Turin) all agree on the medical reality of the testimony and not a single case of disagreement with what they relate the Gospels, but rather, in those cases that the Gospels are very sketchy, the picture perfectly complements Sindona what should have been. The image is negative, but the blood that soaked into the fabric is positive.

Dr. Pierre Barbet, a surgeon at St. Joseph Hospital in Paris, who also conducted so far the most comprehensive medical study of the Passion of Christ, as deduced from the Shroud of Turin. Unable to cover all aspects, we summarize the most relevant.

ASPECTS OF THE STUDY:

Injuries suffered in the Via Crucis:

Barbet Professor discovers on the Shroud, injuries from falls of Jesus in the Way of the Cross. Are sores on the front of the knee, especially on the right. The latter has abrasions different size and shape, edges trimmed and placed exactly in the patellar region. Up and out there are two round wounds two inches in diameter. The lesions are less obvious and numerous in the left leg. Illustrative Image

The traces of the cross on the back, clearly accuse the dorsal image of the silhouette of the relic. On the right shoulder on the outside of the suprascapular region, a large area is visible abraded down and in, which provides the shape of a rectangle 10 inches long by 9 wide. Further down the scapular region, there is another area abraded that exhibits the same characteristics (round shape with a diameter of 14 inches), just located in the subscapular region at the tip of the left scapula.

Surveying the wounds of the hands :

Merced Barbet teacher observations on the Shroud, then covered with anatomical experiences detained, has been unable to locate the topography exact wounds that were the nails in the hands of Christ, being crucified.
The nails did not cross the palm, as popularly believed, but the carpus or region of the pulse, that is, the wrist, precisely because the free space, clinically called "Destot space, limited by the lunate bone , pyramidal, capitate and hamate.
In fact, the Shroud, is discovered in his left hand, which is more visible, a round wound, very clear in the carpus, which part of a trail of blood that radiates obliquely upward and right up to the ulnar margin of forearm ...

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