Friday, March 25, 2011

C139 Model Tfc139b Unlock

:: Jaime Pitarch:

Jaime Pitarch born in Barcelona in 1963. His work is austere, simple, review of common objects. His art is conceptual, not without irony, dull, not technological but rather look with a taste for the old and imperfect.
uses inexpensive equipment and materials to produce videos and "sculpture."
Its aim is to produce evocative works that go beyond the new forms of mannerism that permeate the global art practices within a technophile society.

JP - "My work takes as its starting point the contradiction between our distrust of social structures and our desire to fit into them. I address this contradiction by observing the order on which all forms of production, trying to find the common aspects of design, for example, a chair, and the design of a political or economic.
I do because I think the motivation behind all these forms of production are not so far. Men and women live in a perpetual state of social adaptation, however, the pace of change is not determined by individuals but by the inertia of the group. This social adaptation is often without success, generating a sense of inadequacy or dissatisfaction. I express the condition of this tragi-comic adaptation without success, and absurdity of the signs that offers a social orientation (political slogans, logos, images nationalists, etc.) through the deconstruction of familiar objects and reassemble in new types of resonance.
The disparity between the state first and last speech of our eternal condition of displacement. "Jaime Pitarch






Different Women Getting Pants

: IX Biennial Convocation Jump::

The Municipality of Salto, and the Association of Plastic Artists Salto (aplastic anemia), call to artists to participate in the contest and visual arts of the IX Bienal de Salto.
The Organizing Committee is in charge of managing this event and consists of representatives of the Municipality of Salto and bears.
disciplines comprising the contest are those for the visual and plastic arts such as drawing, painting, sculpture, photography, installations, textile art, video art, web art, digital art, among other symptoms. The web
the biennial jump bienaldesalto.com.uy , we can download the bases for the call, registration will be from April 6 of that web.

Tuesday, March 22, 2011

How To Tie Converse With Double Laces

World Water Day 2011

Today is World Water Day, and is 18 years in 1993 was held for the first time after it was implemented during the Earth Summit 1992.
At the University Rafael Urdaneta gave a kind of Ecology on the edge of our famous Lake Maracaibo, which serves as a natural setting to our campus, there are pictures of the activity leave
PHOTOS

Monday, March 21, 2011

Arm Pain After Laparoscopy Duration

:: Pink Lincoln & Incarnation, by Mark Ryden::

These 2 videos are great! see them in action the great artist Mark Ryden from zero in creation of these tables, one for each video , seems to have a fixation by Lincon ...



Friday, March 18, 2011

First Auditions Free Men

:: Lu Damiani:

With this great photo at the end of last year Luciana Damiani, 54 are elected to the National Visual Arts Prize Carmelo Arden Quin.
Not only is chosen, but, with this piece called "Sutil and perverse "Cultural Center of Spain gave him his award artistic residence in Spain" a great achievement for a young artist as Luciana.
Lu Damiani IENBA study, and attended the central workshop Carlo Seveso, for 2009 started going to the FAC with Lopez Lage. Where "found an area to share and discuss contemporary art as well as being part of the"
late last year sent the questions, and very kindly agreed to answer them, here are your answers:
1. Tell us your name and age?
Luciana Damiani and I have 29 years
2. Where, how, when and why you became an artist?
art always intrigued me. Arts began in 2001, but only in
2007, with the sample NENAS I feel that what they did was art. But I ran out Fine Arts
. In 2009 I started going to the FAC with Lopez
Lage and that you found an area to share and discuss contemporary art, and be part of it


3. Why create art? Because I like
. It is a way of questioning things.
4. Worried about the significance of your work, you want to achieve fame, glory ?
Fame? Gloria? no. Significance? yes. At least for me art is to generate reflection and questioning
the viewer, it will make q reflecting. You feel challenged. There's work transcends you and becomes part of the culture
5. What is art for you?
A tool to reach the other

6. Do you breathe in something or someone to create?
'm introspective. At least now I can not separate the work of me, my
experiences and their consequences.
7. What is your process of creation?
depends on what you are doing. The more introspective longer and

odds 8. What materials do you like to use?
Working with many materials, but lately I'm focusing on the
dabbling in photography and video
9. Is there a Uruguayan artist, or abroad, of which I welcome your work at this time? In Uruguay
Margaret Whyte, Seba Sáez, Sergio Porro, Magela Ferrero,
Lopez Lage, Juan Uria, Jessie Young, Bidart Ana Cecilia Vignolo, Ernesto Vila.
foreigners, Liliana Porter, Cindy Sherman, Lucian Freud, Takashi Murakami, Rachelle
Mozman, Daniela Edburg, Matthew Barney

10. "I create art generates pleasure or effort? Both
. Art is a profession like all.
11. Do you prefer to work alone in your "workshop", or with other colleagues in collective processes? The workshop
I like to work alone, but I like it when moving around
, dialogues, meetings.
12. Are you exhibiting at this moment or going to state very soon, something you do somewhere? I recently stayed
selected for the 54mo. National Award for Visual Arts
. and exposed together with 34 other artists in the
MNAV

13. What do you do now?, You get to live your artwork?
yet. But I hope to do at some point.
currently working as a graphic designer Gurises Euro RSCG, an advertising agency.
14. Are you working or would like to work on a project for the future?
I'm working on an individual project at this time
15. (Bonus track, answer any of the following 3 or las3, or those who want )
- What would you like to ask you?
- What would you have liked to answer? What if I live for my artwork.
- Become You his own question with its corresponding answer ...

Wednesday, March 16, 2011

Where To Invest 10 Thousand Pesos

:: The new Museo Soumaya:

Añadir imagen Carlos Slim, the richest man in the world, and has a great museum. Accompanied by the president of Mexico, Felipe Calderón, and an array of personalities from all over the world, among whom was Gabriel Garcia Marquez and Larry King, "opened at the Museo Soumaya DF (named in honor of his wife, Soumaya Domit, died in 1999), where public displays about 20 percent of the art collection that has accumulated over decades and it is estimated that includes about 66,000 pieces.
The building, designed by the tycoon's son, the architect Fernando Romero, has 17,000 square meters dedicated to 6500-raised display area at 47 meters. The structure is twisted on itself in a circular route that culminates in the sixth and top floor, a diaphanous surface of 1,200 square meters you can admire the works of Auguste Rodin, the jewel of the museum, and teachers of his time (Slim has the collection of the most important French sculptor of France).
Its construction began in late 2007 and its inauguration was scheduled for Nov. 30, however, the dazzling facade consists of 16,000 aluminum hexagons of 13 different measures was the biggest challenge that prevented meeting the deadline. Artwork
the new museum, which cost $ 800 million (578 million euros) travel 2,000 years of art and include works by Tintoretto, El Greco, Titian, Leonardo da Vinci, Van Gogh, Renoir, Monet, Sorolla, Zurbarán, Van Dyck, Degas, Murillo, Dali, Miro, Toulouse Lautrec ... All works are part of the 16 collections of European art and Latin American Slim, which mostly were bought at Christie's and Sotheby's, the two major auction houses in the world. New
Soumaya Museum is the epicenter of an urban complex in which until recently had been a declining area northwest of Mexico City. The Museo Soumaya opened its doors on 29 March. (SOURCE: Hoyesarte.com)

Sunday, March 13, 2011

Where Can I Get Natural-laxer From In The Uk

:: Guillermo Riva Zucchelli - Museo Zorrilla 04/07/1911::

Friday, March 11, 2011

Yamaha Psr S500 Styles Free

:: Growing the prestige of urban artists and wins a spot Bs As::

Street art
By Celina Chatruc THE NATION
"Your trash is my treasure, "reads the consortium bag. The drawing, done with stencils, it seems the perfect synthesis. Just as you see, dirty and peeling, Buenos Aires these walls are home to one of the street art movement most active in Latin America.
days ago, a Brazilian nicknamed Flip took the scale of a cruise off the boat and painting in Buenos Aires, of all American and European artists like him come to turn gray walls in an outdoor museum. Without expecting anything in return, work together with their local counterparts, who travel each year to showcase their work in galleries and festivals abroad.
Aware of their power of seduction, the capital of Argentina is tweaked makeup for the photo while urban art parade down the red carpet in Hollywood: Banksy, the most famous street performer in the world, arrived on Sunday Oscars past (see box), six months after the graffiti had its first biennial Graffiti Fine Art in San Pablo.
In this scenario, Buenos Aires is unwilling to resign themselves to the background. So do not hesitate to give free rein to Sigismond de Vajay, curator Of Bridges & Borders in the Proa Foundation, to Sabina Lang and Daniel Baumann intervened the bridge between the Faculty of Law at the UBA with the National Museum of Fine Arts. The work was presented last week, a month before the Jonone Parisian graffiti paint live during the "sleepless night", organized together with the French government, the mythical Lanin street in Barracks.
"The street art was an important contribution to the city because it gave a twist to the classic graffiti hip hop derivative; expanded its limits," said Mary Marino, responsible for having transformed color venecitas these blocks are now magnet for tourism. When he began working there a decade ago, the city was in chaos. One morning dawned with the Cabildo, the Metropolitan Cathedral and the Plaza de Mayo spray painted "with them all." And then they came
. "For those who were graffiti from 15 years, was the dream of the boy. We said, let's take the public space. Make some protest was more of the same. So good vibes go out to shoot people, with flat colors and cheerful. "He who remembers those days with a smile is Tec (see sidebar), a member of the group phase, one of the pioneers of the local boom. Phase magazine called who published ten years ago Defi, PMP and Martin Tibabuzo in the Faculty of Design of the UBA. With Tec formed a multidisciplinary team that includes animation, electronic music and even the art direction of I, a love story, the one-man Diego Reinhold that can be seen these days in the Paseo La Plaza. Since 2005 adopted Berlin as a second home and travel the world exhibiting his works.
Tec Except and friends, others present at this remote warehouse of the mouth come from other countries: the artist who works in the corner, the blonde who looks forward to interview, the couple who arrived minutes later to meet them. Because the reputation of Buenos Aires is a global urban artists, as evidenced by the notes made by the BBC, The Washington Post, The New York Times and The Independent, among other major media. "Where some call the graffiti art, not vandalism," was the title of an article by ABCNEWS in highlighting the tolerance of the Buenos Aires authorities (see box).
"I know no other city in the world with this 'gray area' in legal terms. The artists know where to paint and where not, choose places abandoned the facades of their homes or ask permission. And the response from people is very positive, "said Melissa Foss before starting his usual tour of College, and Villa Crespo Palermo to guide Graffitimundo (www.graffitimundo.com), a project to disseminate the local street art.
Melissa arrived from London a year and a half, but seems to know these streets better than any of Buenos Aires. At least the stories hidden among the multiple layers of paint. "With this release, the city is attracting many international artists - says, pointing to the face of a lady painted stencil. This drawing was made by a Peruvian. A portrait of his girlfriend's grandmother in Argentina, Alzheimer's. He wants the city to remember it when she can not remember the city. "
Even the creators of Graffitimundo, Marina Charles and Jo Sharff, are foreigners. Of British origin, are promoting the native art in London, where last year's healed Buenos Aires shows Calling! Pure Evil in the gallery. In addition to organizing the tours and to represent some artists, now preparing a book and a documentary on the subject.
Maximiliano Ruiz, an Argentine who produces samples of street art in Europe ran the opposite way. While making a documentary about the influence of graffiti and hip hop classes in Buenos Aires, decided to publish a book. Graffiti Argentina (www.graffitiargentina.com) was published in 2008 by the prestigious British publisher Thames & Hudson, and presented in 2009 included samples of Argentine artists in galleries in Barcelona, \u200b\u200bLondon, Paris and Berlin.
Ruiz said the graffiti scene in Argentina is "one of the most original and vibrant in the world." "Argentina has gained international fame as a city very tolerant and even appreciative of urban art," says Ruiz from Barcelona, \u200b\u200bwhere he now lives. This acceptance occurs throughout Latin America, it is normal for urban artists around the world travel to cities Latinas with the sole purpose of painting without being considered criminals, as happens in countries developed. "
This panorama of the region will be reflected in his book New World, Latin American street art, the German publisher Gestalten published in April. Meanwhile, on this side of the Atlantic, Guido Indij preparing the launch of Buenos Aires Street Art the third book on urban art published its editorial, La Marca Editora. "Buenos Aires is the mecca of street art. Local artists have professionalized the influence of the European graffiti artists who visit us regularly, "says Indij, often exhibiting works of these artists in Case Gallery in San Telmo.
Two blocks away, a year ago, the new the Cultural Center of Spain in Buenos Aires was operated more than 20 artists from Latin America. One was Rodez, a Colombian who began painting in the street when he was over 40 years, encouraged by his two sons and Malegria Wanderer. "What I like to paint in Argentina is that they are many styles from around the world," notes Malegria, who arrived in Buenos Aires in 2005 to study at the Universidad del Cine in the street and found the perfect place to mix Languages: graffiti, video, illustration and writing. Among the foreigners
usually painted in Buenos Aires include Sego (Mexico), and Charquipunk Agotok (Chile), Other (Canada) and Grolou (France). Much earlier in the decade of 90, Os Gemeos and vitch arrived in Brazil, followed by the German Daimler and Escher. The seed was sown; Internet did the rest.
urban artists share their work on websites, blogs and social networks (such as Pum Pum, one of the few women in the local category, who can be found in www.pum-pum.com.ar or on Twitter @ _pumpum .) Far from those who paint and run off, the most professional even sign their work with an email account. The Golden Triangle did both. The group consists of Francisco and Pedro and Santiago Ferreyra Panichelli, who started making tags (signatures typical of hip hop) along the railroad tracks and win customers through today to self-promotion. For example, an Italian collector commissioned them to multiple jobs into question after visiting your blog (http://triangulo-dorado.blogspot.com), also called to intervene in the lobby of a building in Coleraine. "The job is not finished until it is closed on the internet and you have a refund," says Francis. Why so many people come out. "
who seems to come from outside, but from outer space, is Tester. With its blue shorts, yellow shirt, haircut ochentoso and large thick-rimmed glasses, reminiscent of some of the characters painted on the walls. Federico Minuchin integrates with the collective Run Do not Walk, one of those who started to paint it a decade and was among those responsible for the gallery Palermo Hollywood In Cambodia (www.hollywoodincambodia.com.ar), dedicated to urban art. There exposed to 16 this month, the Brazilian Carlos Dias.
"They called us five years ago the Post Bar owners to paint the front and ended up becoming friends," says GG, Buenos Aires Stencil, another partner. "They could not pay us, we decided to charge them with the two upstairs bedrooms to the gallery." And of course, painted the medians of the buildings that overlook the terrace. In that space with constantly changing images now speaks Jaz, artist and set designer who travels to Europe each year; there, according to him the urban art "fully institutionalized." "We did not expect this boom," Rodriguez says, nor seek much. Today is unstoppable. "
Nobody knows how far. For now, Tec, Defi, Pmp, Nasa, Chu and Pum Pum exhibited from the 24th of this month in Gachi Prieto Gallery and some of them will travel to Brazil in August, to participate in an international exhibition of street art at the Museum San Pablo Art. Meanwhile, the gallery Turbo (www.turbogaleria.com), created three years ago by the collective Doma, announced that next week will conclude with a "historical parade and absurd" the end of a cycle. The date is Saturday 12 to 17 in Costa Rica 5827.
"We leave the premises because rents go up, but not the end of space, but becomes nomadic. We will make action larger, more concrete," says Chu, Doma, in the house of La Boca where Tec Tester exhibited works made in December for four hands, the sample was called tecstar.
"The hallmark of urban art is collectivism," says Chu. It promotes teamwork and friendship, which is the nicest thing there is in life. "

Friday, March 4, 2011

Ulcer And Smoking Pot

:: Mariana Fossati:

First answered your comments on this blog for quite some time, then enter their sites where I met her creations, which are worth discovering, because they are high quality. Mariana
or Miss Leona is sociologist, and a great and original artist, work in several main ticonas mind in collage, how to create formidable if any.
His collages are of a technical degree and study very interesting situation, sticking out great advantage to each cropped image, to create new situations very convoluted at times. S.
Leone and some time to encourage you to answer 15 questions in the section Ask yourself, here are your answers:

1. Tell us your name and age? Mariana
Fossatti or Miss Leona, 29.
2. Where, how, when and why you became an artist?
I'm not sure how, when and where, but in part comes from family. My grandfather, Carlos Fossati, who never knew, was one of the artists of the Print Club. My mother, who is a skilled and creative craftsman, never stopped doing things: fabric, dolls, silkscreen, collage. I could always experiment and learn with her girl, although my "formal" education was not an artist. In 2007 I wanted to return to the collage that was pulled through adolescence and Cuevas Workshop Yamandú http://www.flickr.com/photos/27409868 @ N04 / , a very open space where each one is running a little their training under the guidance of Yamandú (that she also does collage, among other things). At that time I also opened a Flickr http://www.flickr.com/photos/srita-leona/ and a blog where I started up my work and so I became known in a small corner of the net as Miss Leone.

3. Why create art?
When I read the response from other artists, most say it is a necessity and I agree. Although I am not an artist full time, is the only of all the things I do is a real need, which has its own motor.
4. Worried about the significance of your work, you want fame and glory?
I'm interested in feedback recognition, especially if it comes from artists I'm interested peers. So far this mutual recognition occurs in the networks, Internet, and I is an essential motivation.

5. What is art for you?
Here I will give an average response bipolar. In principle, the art is what is accepted as art collectively (here I go with Bourdieu). Depends on rules and forms of legitimacy and of course those rules are linked to privileged positions. Who are socially privileged are those who better handle these rules, those who create and enforce them. It's a more creative activity, which functions as "Art" under these rules and has more hierarchy than others. But on the other hand, is a practice of transformation that gives us tools to question the world, not to accept it as given. Able to question art itself too with this constant question: what is art? I think that art has to question the world from the position of the operator (as an individual and as part of a group) and it is inexhaustible.

6. Do you breathe in something or someone to create?
In all that go through my head that's for sure, but in a very unconscious. There are things that catch my attention or to consciously choose the theme (that always fails), but I recognize the unconscious emerging post.
7. What is your process of creation?
On one side is the collection of images that feed the collage. Then start a game remix of these images, search, shipwrecks and findings until the process is heading. It is sometimes fast, sometimes slow and sometimes remains open, unfinished, or truncated. When I finish a collage is because I am satisfied to the last detail ... or because there is nothing you can do. As I would learn to draw, I am always scratching pad and sheets, which sometimes happened to the computer or mixed with collage. On the other side is the area of \u200b\u200bperformance, which I think is one of the hardest things in art, or at least for me it is. Develop a draft action art is easy for me and never leaves me completely happy, but I love, because the performance can be a very powerful process.

8. What materials do you like to use?
Pictures of all kinds, from grocery store booklets cuts throw me under the door until old magazines purchased any time at the show cuts through I find myself googling digital. I also enjoy painting with oils and drawing with pens and markers.
9. Is there a Uruguayan artist, or abroad, which interests you very much for your work at this time?
Uruguayan that I find irresistible: Juan Burgos and Alfalfa. Foreign investment
many, so I invite you to watch my favorite Flickr gallery http://www.flickr.com/photos/srita-leona/favorites/ in which to emphasize: http://
Felipunch Randy Mora www.flickr.com/photos/felilef/
http://www.flickr.com/photos/randymora/
http://www.flickr.com/photos/inca817 Inca Pan /
http://www.flickr.com/photos/blancahelga/ Blanca Helga Julien Pacaud
http://www.flickr.com/photos/negative_numbers/
. Lafabe http://www. flickr.com / photos / lafabe /

10. "I create art generates pleasure or effort?
is an enjoyable effort.
11. Do you prefer to work alone in your "workshop", or with other colleagues in collective processes?
prefer both. Most of the time working alone, because it is the most common form of joint creation spaces between visual artists, but I love working at group when I can. I think the collaborative process itself often has value of work itself.

12. Are you exhibiting at this moment or going to state very soon, something to do somewhere?
I'm on the road campaign of Film with 40 participating artists who painted on posters of those who go in bus stops. But do not ask me what stop is mine, not yet found, anda rotating in Montevideo.
13. What do you do now?, You get to live in your artwork?
not live in my artwork. I am a sociologist and I am working and studying on the subject of Internet and new technologies.

14. Are you working or would like to work on a project for the future? In
collaborative art, we are starting a project with two friends and artists is to make Flickr a work intended as a starting point for reuse, recreate it and share it again as a new starting point possible, in a rhizome structure of infinity. Can anyone tell part artist and accept the rules, here is the link: http://www.flickr.com/groups/lagranobracolaborativadospuntocero/
Moreover, a project that is not art but involves the art is the creation of a cultural cultural 2.0 which develop training services, consultancy and research for artistic and cultural projects on the internet. Is under construction and is called Arctic. Born with the support of the Cultural Incubator Project Culture lived. We can visit here: http://www.articaonline.com/
15. (Bonus track, answer any of the following 3 or las3, or you want) - do you wish you ask? - What would you have liked to answer?
To the question "What is art?" I would like to respond as Gombrich: "no art, there are artists."

Squinge's Pregnancy Wear

:: CALL ON THE BICENTENNIAL EXHIBITION PROJECTS:

Call Meeting pública_Punto
PROJECT SELECTION ON THE BICENTENNIAL EXHIBITION FOR YOUNG ARTISTS (UP TO 35 YEARS) 2011.
The Department of Culture, Ministry of Education and Culture calls for Uruguayan and foreign artists resident in the country for the submission of projects to develop in the "Sala Vilariño Idea" (Meeting Point).
reception projects will be between March 28 and April 1, from 11 to 17 hours ., At the offices of Meeting Point - San Jose 1116.
Bases.

Friday, February 25, 2011

Watch Beautifulagony Male

:: Carlos Barea - "Trojan Horse" - March 3 MNAV::

"Carlos Barea is an artist who works with ironic images, poetic, political, metaphorical, visceral. A singular degree of naivety articulates the ease of drawing and impeccable technique. An artist who has dabbled in various media that transformed it into one of the largest in the field concerning art in our country.
Owner of a very particular artistic impression able to develop over his career, including drawing, painting and installing an imaginary self an archivist. The iconography of his play is about people and situations, customs and urban, to popular myths and the mythology, magic, the alchemy.
Artigas, political prisoners, Trojan horses, Perseus, toys, carnival parades, the circus, were excuses to exercise his artistic strategy. His work marks a fundamental territory, where they cross over elements that are repeated time and reorder. (Fernando López Lage)
Carlos Barea, born in 1954 in Punta Carretas. Since 1977, presented in terms individually and collectively in Montevideo and abroad. Among those who thirst stake: Gallery of the Citadel in 1983, Goethe Institute in 1987, MAC 1990. He received numerous awards in national exhibitions (Car Club del Uruguay, Museo de Arte Americano de Maldonado, Banco Republica Oriental del Uruguay, among others). Participated in the 1986 Havana Biennial, and Valparaiso in 1983. His work is in collections and public sprivadas: Museo del Gaucho and the currency, central bank Pinacoteca, Museo de Arte Americano de Maldonado, Salto Museum, Museum of San Jose, Deutsche Bank Germany, Engelman Ost Collection.
Two videos, one says the curator, Fernando Lopez Lage, and the other the artist Carlos Barea us about your upcoming shows "Trojan horse", which opens March 3 19:00



Wednesday, February 23, 2011

Can Artificial Sweeteners Upset The Stomach

:: Banksy may be an Oscar! ::

missing four days. "Exit Through the Gift Shop" is a serious candidate to win the prize for best documentary, but nobody knows the face of his principal, the graffiti artist Banksy

This year, one of the favorites in the documentary category Exit Through the gift shop, which starts with Thierry Guetta, amateur recording everything that happens around him. The man decided one day to get behind the camera to make a film about street art and some of the most celebrated artists of the `street` art, Banksy, and colleagues such as Space Invader and Shepard Fairey.
But in the midst of recording things turned around, and the enigmatic Banksy who took the camera and started to film Guetta, who from then plunges into the world of street art taken by the alias of Mr. Brainwash.
What is already being called "Banksy film" has been presented at festivals in Sundance, Berlin, Deauville and San Sebastian, and compete for the Oscar against other major titles.

Gasland, Josh Fox, examines the allegedly unscrupulous company procedures Haliburton (which is well connected ex-President Dick Cheney) to dip into the lands of different owners over the United States where there is apparently a valuable reservoir of natural gas. Inside job by Charles Ferguson, is said to be A thorough analysis of the causes and responsibilities of the economic crisis that has rocked the United States and the world. Tim Hetherington Restrepo and Sebastian Junger, has chronicled a year in the life of a platoon of American soldiers in Afghanistan. Finally there is the co-production between Brazil and Britain Waste Land, Lucy Walker, Karen Harley and Joao Jardim, Sao Paulo on the artist Vik Muniz and recycling in the neighborhood of Jardim Gramacho, which receives 7,000 tonnes of waste daily in the Baixada Fluminense Rio de Janeiro. The film has been described as "an enriching experience about the power of art to beautify a conflicting reality."
True Exit star Through the gift shop is the mysterious Banksy. These days, Banksy is wandering through Los Angeles and, somehow, the film self-promotion through its street art.
Those who have seen his work have pointed out, simultaneously, their technical quality and provocative nature.

One of the most controversial of Banksy was drawn to the company Light Group, a chain of restaurants in Las Vegas, and shows the drunken Mickey Mouse, with a drink in hand and unshaven, on a billboard CBS's, threatening to tamper with the ad model as Minnie looks on. The last poster was obviously not agreeable to CBS and Disney Company, and apparently was quickly removed by his own CBS (owner of the billboard) without bothering to previously announced to advertisers. The broadcaster argued that the advertising did not meet their exacting standards.
One of the intrigues generated by the presence of "Banksy's film" among the five candidates for the Oscar documentary is whether the mysterious street artist decides to face if the Academy decides to finally give the statuette. Shall I go on stage to make themselves known to the world? Will you send someone in your place, as it did at the time Marlon Brando? Or the place will be empty, no one answered, as when, in the fifties, it was announced that the Oscar for best screenplay was for a Mr. Robert Rich, who had written a film called The Boy and the bull, and nobody came? (GUILLERMO Zapiola - ElPais Digital)

Friday, February 18, 2011

I Want My Hair Like Tidus

:: New forms of art, net.art::

After a brief vacation, we returned with more force, to continue with this blog that we love so much power days to days.
We returned with a new section of " ANALYSIS "which will climb excellent articles journalists from newspapers, magazines, etc. That day I get my mail or find by there is time of and share all draw our conclusions, and propose our ideas or opinions.
ES DIEGO stars of for THE PAIS.COM
Although quite that is no longer Net.Art one trending topic "hot topic of discussion at the Red-, no doubt, had a moment in which raised some questions which remain valid and have influenced even works out of the loop current strict Net-Art. In fact, Net Art, raised specifically for the Web often as a means of exploring the ethical limits, technological or environmental policy referred not only to artistic creation, took as its starting point the enormous potential of communication between artist and viewer, suggesting a kind of open work staggered the essence of the author only as we understand our culture. Proposed work streams, nomadic identities, patched bodies were some of the issues addressed in the Network's work, putting on the table their own social practices and ways of control the individual, caught between web pages and data released to the bank, the State, the supplier of books ... It was also of works acquired their meaning in the home screen, a new form of socialization; projects after they disappeared or were transformed, while the "classic" ended to be identified. Still, it was sometimes contradictory Net.Art organize samples, dropping the proposal in the trap that was running: the logic of the system through the figure of a commissioner "selected" for the user the pages to be visited and who visited from computers in the showroom. Who knows if these proposals were not which weakened the movement, though still active, it is perhaps a shorter route than promised. In any case, it is clear that the network and its applications have completely changed the art world, starting with the virtual tours to major museums, following the easy to find almost any image on the Internet, and ending with an ethical issue that raised in 1990, when an emerging use of Photoshop and even the Internet delivery of images, now so common that anyone can do it from your mobile. Fred Ritchin then asked how far to be sure of the veracity of a photograph if a barely perceptible changes could be made without further significance and what would happen if each new shipment will be held another small transformation. Which was, in short, the "real" image, the true matrix. Perhaps that is the great challenge that the artistic, part of whose reputation is based on the originality in copying, is now proposing Internet applications. Trying to figure out whether that work is well or is modified is not easy ... but it is fascinating and even Borges. Like Pierre Menard's Don Quixote, by the very fact of being in the Red, the modified image acquires its status as reality, because what is more real than what happens online also observed live? This new way of approaching art it has become evident in recent events in the life of Weiwei, Chinese artist dissident local authorities who flew the house saying it was an illegal building. An onlooker near the devastating operation drew some pictures he rose to the Internet and, like fire, allowed to see what was happening in real time. But, and here lies the aporia, was that the house Weiwei, who was on the other hand, most of us know through his popular blog? Does it matter? The real reality, at least visually, should begin to ask questions different from traditional ones. The past no longer serves. It is no use. ( ES stars of DIEGO, EL PAIS 29.1.2011)