Jaime Pitarch born in Barcelona in 1963. His work is austere, simple, review of common objects. His art is conceptual, not without irony, dull, not technological but rather look with a taste for the old and imperfect. uses inexpensive equipment and materials to produce videos and "sculpture."
Its aim is to produce evocative works that go beyond the new forms of mannerism that permeate the global art practices within a technophile society.
JP - "My work takes as its starting point the contradiction between our distrust of social structures and our desire to fit into them. I address this contradiction by observing the order on which all forms of production, trying to find the common aspects of design, for example, a chair, and the design of a political or economic.
I do because I think the motivation behind all these forms of production are not so far. Men and women live in a perpetual state of social adaptation, however, the pace of change is not determined by individuals but by the inertia of the group. This social adaptation is often without success, generating a sense of inadequacy or dissatisfaction. I express the condition of this tragi-comic adaptation without success, and absurdity of the signs that offers a social orientation (political slogans, logos, images nationalists, etc.) through the deconstruction of familiar objects and reassemble in new types of resonance.
The disparity between the state first and last speech of our eternal condition of displacement. "Jaime Pitarch
