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:: Diffusion of current artistic trends Galeria::

Floating in the universe of sites, I found a very interesting gallery located in Barcelona, \u200b\u200bGaleria . DNA
tries to be a hybrid between mediation platform commercial and cultural contribution, which aims to disseminate current artistic trends. It has to do an exhibition space of over 240 m2 distributed in two exhibition halls.
With a program focused on productions that prioritize content and is postulated to reflect the dynamic semantic context in which they occur.
is a gallery working with artists to create international networks that promote appreciation of debate on the texture of contemporary art, enabling the establishment of solid foundations for career development through an active policy of media publicity on-line communication in trade fairs.
Your website is very comprehensive, yet basic and easy to navigate, I leave some of the works and artists that there we can find and invite you to visit the DNA website gallery.
Federico Solmi

Eugenio Merino

Igor Eškinja

Judas Arrieta

Carlos Aires

www. adngaleria.com

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:: Ancestors in Maldonado::


"Ancestors."
Monday January 3, 2011, 20:30 hs.
Casa de la Cultura de Maldonado.
Rafael Pérez del Puerto 745.

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:: Silvia Umpierrez:

Silvia Umpierez is a national artist is active in the art of tapestry in their early study techniques mixed plastics at the Ateneo de Montevideo and Criollo Loom Techniques with Prof. Jose Cardozo.
then made a lot of courses and workshops related to their technique, in addition to your resume contains a long list of collective and individual exhibitions. Silvia
addition to many awards and recognitions achieved both nationally and internationally and for quite some time been developing teaching, trying to convey their knowledge in different institutions and in their own "workshop creating worlds" . Silvia
time ago was interested in participating in the section asking you, and here are their responses:
NAME and AGE? Silvia
Umpierrez, 49
Textile Artist ...
WHERE AND WHEN YOU BECOME A ARTIST AND WHY?
'm Uruguayan, born here and was always a need.
is a question ... is not easy .... I do not think we become ...
We have a special sensitivity that we need to express ourselves through art.
who encouraged me and choose this way of life ... For almost 20 years.
WHY CREATE ART AND THAT BRINGS YOU SATISFACTION?
In fact art is the product of something internal ... I have need to build, like life, I weave fibers, leaves,
Unique items to include in our environment to make it more pleasant, warmer. The art is to live ...
Satisfaction is able to do so. You create what you imagine and see it done is something very satisfactory ... From the personal.También
That is a lot of satisfaction when our work is recognized.
WORRY THE IDEA OF SIGNIFICANCE OF YOUR WORK, WE WANT TO ACHIEVE FAME?
is something I do not mind ... I do mind is to be authentic, honest with my work

IS FOR YOU ART?
's all ... Art is anything that connects us all, with ourselves and with this way of living, creative and sensitive, so we
is transformed, reborn every day and re-create our world.
WHO OR WHO INSPIRED YOU AND WHY?
Inspiration is ... everywhere, often do not know if it's a music, film, a mood that motivates us,
natural material ... is often the motivator. Transform
motivates me to create a material that is already dry, and add value to my work, stop staring ...
HOW IS YOUR CREATIVE PROCESS?
Simple, simple, sensitive, and very necessary.
what materials to use?
Many, fabrics, ropes, thread, wool, natural features, beach clubs ... stop looking at what attracts me.
IS THE URUGUAY ARTIST OR OUTSIDE ELSE YOU LIKE, AT THIS TIME?
Lacy Duarte is an artist who was much interested. I think when we're always interested in similar sensitivities
There are several ...

IS A PLEASURE OR CREATE AN EFFORT?
sure is a pleasure.
prefer to work alone in your size?
depends. Often sharing (something I find very positive) when several items, like lamps, tables, or fashion design or fabric printing ... I do sometimes alone.
EXPOSING THESE?
This year was the show-me. First convened by the Textile Art Center Uruguayan proposal to create a "Tile Textiles" at the Museum of the tile and then the MAC Industrial Fabrics "
A DEDICAS.LOGRAS YOU LIVE ART?
many years ... this, this is my life, I have a workshop, I dedicate myself to be able to transmit another way of looking, work from the gender (female) I believe that art, living, transforming us. MEETING OF WOMEN FROM
basketry - "The meeting with oneself. From chrysalis to butterfly" Reconnecting with the feminine. The reunion with the instinctive nature of women. Lost intuition and creativity to heal ourselves and express ourselves as new women.
also work with children ... from the freshness and playfulness they have to be able to express what they feel.
YOU HAVE LIKED YOU ASK?
Perhaps the most personal of what I do, that does not interest me great definition. I believe that art is everything, and it is good or bad ...
beyond the material used.
to work with these natural elements is something that was allowing me to better get outside, connect with myself.
CREATIVE THINK IS SOMETHING THAT WE ALL HAVE A POTENTIAL WE CAN AND WE MUST EXPLORE.
IS A much needed tool to TRANSFORM OUR ENVIRONMENT, WHICH CAN DEVELOP IN DAILY LIFE AND CHANGES IN THESE TIMES WE HAVE TO BE PERMANENT more creative in our lives.

Silvia Thanks for participating!

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:: 37 interviews with Warhol in Spanish::

"If you want to know all of Andy Warhol , just stay on the surface." He said it himself, striking one of the interviews collected in a book just out in market Kenneth Goldsmith .
' Andy Warhol . Interviews (1962-1987) 'is a collection of Warhol cunning, always able to decipher the logic of capitalism and the media communication, explains Francisco Camero in the Journal of Sevilla. His contribution to the transformation of the work of art into a commodity, and its demolition of the image of the creator and custodian of a sacred fire as part of a legacy that goes beyond the scope of Art.
interviews published in English now Blackie Books were made in the 60, 70 and 80. Reveal all the efforts of Warhol to preserve its "mystery" perhaps because "people just glamorous when you do not see." "Just speak or tell things in interviews, the truth is that now I'm not saying anything."
Warhol did not have a high opinion of journalists, who "know what they mean to you, and know what you think about before you even talk to you, so just trying to confirm what we already have decided they will put ".
Much of his statements invite gauge the degree of self-consciousness with which Warhol was hiding behind the mask blank. She tried to work the register so banal that" the experience of reading quite a few of these interviews is banal fact, "according to the critic. In fact, one of the interviews more substantial the book, brings the paradox that "Questions are more challenging than most of the answers." Francisco Camero refers to the one made in 1984 Barry Blinderman , issue of Arts .
And the triumph of Andy Warhol was so resounding that much of the work we did the others. The blanks in his speech, deliberately vacuo, the completed journalists, critics and exegetes , which is offered with a passion to amplify and interpret the messages issued with inaudible little voice and gestures apathetic elusive oracle modernity. "Why do not tell me the answer and so will naturally my lips? "snapped on one occasion one of his hardworking partners. (SOURCE: Journal of Sevilla, 17/12/2010)

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:: video interview Nicola Constantine:

Nicola Constantino Argentina is a visual artist, studied at the National University of Rosario, where he graduated from the career of Fine Arts, and currently is one of the most significant artists of contemporary art.
can say that his most important works, are based on concepts that originate from a critique of society towards the point of view of the artist and examines some behavior of human beings to the pleasures of life, and associates these and proposes an innovative way while satirical, as in other houses contrasts the life and death by using elements that can of significance considered necrophiliac.
www.nicolacostantino.com.ar

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:: Leo & Pipo - Artist Flickr 6::

We are approaching the sixth installment of this section that is becoming increasingly large, Flickr or artists they want to present today , is the collective Leo & Pipo. Leo & Pipo
are two original street artists and collage, have left their pictures stickers and a very particular old aesthetics, printed in several cities in the world.
His images, dislodged, often have nothing to say, but show a landscape belonging to a certain time, which at times rub shoulders with the humor.






www.flickr.com / photos / leoandpipo

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:: Contemporary Art Uruguay - Imperiale art gallery::


Contemporary Art Uruguay:
Claudia Anselmi, Raquel Barboza,
Javier Bassi, Doreen Bayley,
Olga Bettas, Ana Campanella, Roberto De Leon
, Lacy Duarte, Alvaro
Gelabert, Eloisa Ibarra, Nora
Kimelman, Linda Cohen, Lilian
MADF, Diego Masi,
Marcelo Mendizabal, Martin Mendizabal,
Eva Olivetti, Monica Packer, Norberto
Rattner, Analía Sandleris. Mezzanine

Torre Imperiale.
Stop 1, Playa Brava, Punta del Este.
16/diciembre/2010 to 6/enero/2011.
Organizers: Keren Hayesod - Women's Division.

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:: James Corbett::

James Corbett makes auto parts ... sculptures scrapped!
Corbett, a native of Queensland, Australia, has been creating amazing sculptures that seem to take real life since 1999, and since then, his unique pieces have been part of exhibitions in all major cities of Australia, also in England, Switzerland, New Zealand, Japan, the United Arab Emirates and the United States.
wondered what makes their creations so special, simply because , his special talent and the fact that his sculptures are made of car parts. his passion for cars turned into a passion for art, creating a style rarely seen in the world.

The reception he got from friends and relatives was such that it was motivated to increase their creations, which now include cars, motorcycles, animals, birds and of course some abstract creations, all sold surprisingly quickly.
Corbett has a preference for pieces of antique and classic cars for their creations. None of the pieces are bent or cut, he maintains the original integrity of the piece and adapt it to their vision of what will be the sculpture. Corbett said that "the old original parts are interesting and compelling case."
Corbett's works have fallen held by prestigious firms such as Ford, Toyota , Yamaha, among others, each consigning their preference specifies the talented sculptor. Among these is a figure of a shark, sorted by Toyota Australia, to be presented to the golfer international Greg Norman .

In August 2001, Corbett traveled to the United States, where his sculptures were put on display at the "Concours Italian" in Pebble Beach in California. In November 2002 he was commissioned to create a special piece for the exhibition of " Essen Motor Show in Germany. For this occasion, Corbett created a sculpture with the image of a Formula One car from the Auto Union - Type A. The figure was made on a scale of ¾ that was about eleven feet long and use over 600 auto parts.
In July 2004, several of the sculptures Corbett animals were used in a series of commercials for Toyota of Australia, which highlighted the character of Steve Irwin, the famous "Hunter Crocodile "Australian.
Undoubtedly, the art of James Corbett is unique in the sense that the use of the pieces in their original shape and size is mixed with the figure of an object or animal, they look made for each other.





www.jamescorbettart.com

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:: Juan Uria::

John is a national artist that develops mainly in painting, while also making forays into other techniques.
has a unique style of his own, his works in which some characters are permanent, like flowers or pots, are super recognizable.

Juan Uria tube masters like Richard Yates and José Luis López Lage or Invernizzi and Laborde and studying in the IENBA, some of them encouraged the irreverence installed on your personality and who used to project through the paint. In a few years, Uría modified so the act of painting and putting themselves quickly, the most important figures of his generation emerging.
Already some time ago we invite you to participate in the section asking you, these were their responses:
1. Tell us your name and age? Juan Uria

2. Where, how, when and why you became an artist?
The first time I
When art recorders were first produced after seeing a concert with two recorders cultita and started making my first artistic creations

3. Why create art?
seen is my responsibility to my disabilities
4. Worried about the significance of your work, you want fame and glory?
dissemination and sharing

5. What is art for you?
is the underlying consciousness of this world
6. Do you breathe in something or someone to create?
In art history

7. What is your creative process? Work
consent and reflexivity
8. What materials do you like to use?
Acrylic on metal or fabric

9. Is there a Uruguayan artist, or abroad, which interests you very much for your work at this time? Vila and Barea

10. "I create art generates pleasure or effort?
The sting is unpleasant but my ratio is up from the euphoria

11. Do you prefer work alone in your "workshop", or with other colleagues in collective processes?
individual art is
12. Are you exhibiting at this moment or going to state very soon, something to do somewhere?
internete

13. What do you do now?, You get to live your artwork?
borrowing and not paying rent because
14. Are you working or would like to work on a project for the future?
If and when
15. (Bonus track, answer any of the following 3 or las3, or want to) - do you wish you ask?

nothing - do you wish to respond?
all
- Have you your own question with its corresponding answer ...
"it's okay if



Thanks John for your participation!

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: Alfaro Siqueiros mural Restauran in Buenos Aires ::

The restoration of the only non-political mural painted by David Alfaro Siqueiros completed in time for the opening at its new location in Buenos Aires during the celebration of the XX Latin American Summit in Argentina's capital. A team of 40 local experts and Mexicans worked for more than four months to regain a work that was subjected to moisture and neglect for 17 years in a warehouse on the outskirts of the port city.
The mural "has withstood all kinds of aggression" and "to everyone's surprise, was only between 3 and 5 percent of damage," explained the specialist Mexican Manuel Serrano, who led the restoration project. He worked with his team in a shed built next to the Casa Rosada, the residence of the President of Argentina, who ordered his transfer to that location to be restored.
The work is titled "Plastic Exercise" and was painted by Alfaro Siqueiros 1933, while experimenting with a technique that would become the most used by the painter thereafter. The place with the help of Argentine artists Antonio Berni, Juan Carlos Castagnino and Lino Enea Spilimbergo on a farm on the outskirts of the capital of Argentina, where he gradually deteriorate until it was restored for the first time in 1962.
"Plastic Exercise" is composed of distorted figures of naked women that spread through the walls, ceiling and floor of the basement where it was painted. His goal is to create viewer is immersed in the water where they swim women.
In 1989, restaurateur Hector Mendizabal bought the farm where the wall was dismantled and display it to the public, a task that was achieved with the removal of seven panels. But lack of funds led to the bankruptcy of the company and Mendizabal faced a barrage of lawsuits filed by their former partners, who claimed ownership of the mural.
was in October 2008 when the valuable painting was moved to the gates of the presidential palace of Argentina from the outdoor car park where he remained abandoned for two decades. President Cristina Fernandez met him personally and then delivered it to the experts of the National Institute of Fine Arts in Mexico and Argentine universities of San Martin and National Technology, who undertook to restore it.

Professor Serrano says the recovery was complete thanks to the quality of materials used by the artist. Both the structure and the resin and were flat rebound in perfect condition, so that the material came from Mexico to work to consolidate returned intact to its origin. According to Mexican expert, "this is one of the work around" in his life "before and after."
"Plastic Exercise" was declared a national historic and artistic interest by the Argentine Government Mexico in 2003 and also considered an artistic monument of the nation, so that both countries are interested in self preservation. President Cristina Fernandez said at the opening ceremony of the new museum of the Bicentennial of Argentina, "This is a real cultural heritage for Argentina and Mexico, a labor of love and a friendship bridge between Mexicans and Argentines." Felipe Calderón, his Mexican counterpart, thanked the President Fernández de Kirchner "for having taken up this great work" during the official ceremony.
Siqueiros's mural is valued at 2.5 billion euros, according to experts but the Argentine government had to overcome a dispute over their property to the heirs of the employer who commissioned the work to its author. Authorities and descendants of Natalio Botana were unable to agree on the amount that they should be provided for the expropriation of the work of art.
Mexico's government also invested in the restoration process over 100,000 euros from the budgets of the National Institute of Cultural Heritage and the Ministry of Foreign Affairs. Part Argentina has refused to disclose the amount of their contributions.
Siqueiros mural now exposed to the public on the grounds of the old customs of Buenos Aires, near the official residence President of the Republic. It can be seen in small groups, in the same way as when it was designed, although it is not underground, to prevent moisture problems. (source: arteseleccion.com)