A coroner defends the theory that Jesus survived the crucifixion and led the expansion of Christianity, but living with serious consequences, with his apostles. Coroner Dr. Miguel Lorente so it remains " The hand of the preacher" (Aguilar), which takes a scientific analysis of their injuries to support this thesis.
Coroners and forensic specialist, is CEO of Governance for violence, Miguel Lorente Acosta (Seron, Almeria, 1962) is a doctor of medicine and Surgery, with honors, medical examiner since 1988, associate professor of Legal Medicine, University of Granada and a member of the Royal Academy of Medicine and Surgery of the city. A pioneer in research on gender violence, an area which is an internationally recognized specialist.
Dr. Lorente's work have been awarded, among others, by the Medical College of Granada and Jaen, and the Royal Academy of Medicine and Surgery of Granada. In 1999 he was Progressive Women Award. He has been technical advisor for the Congress-Senate Joint Committee on Violence against Women and the Organization expert World Health Assembly on violence against women and sexual assault. He was awarded the Medal of Andalusia in 2002. He is also author of the famous book 'My husband beats me normal. " His latest book, 'The puzzle. Anatomy of the perpetrator ', includes a foreword by Iñaki Gabilondo . Dr. Lorente, based and supports its analysis and research in the first portrait of Jesus "The Pantocrator of Sinai", in which he appears with his right hand in sign and gesture of blessing, with the index and middle fingers semiflexed.
"It is difficult for the overall picture depicting Jesus with a series of sequels, has been invented by an author several centuries later, without having a direct reference to how he was after survival, because no recent injuries, but old. "
These quotes several sequels of the crucifixion as the hand of preacher, scars that appear on the shroud with which she covered in the grave and the absence of nails on the hands.
Lorente, the painter of this painting, dated between the fourth and sixth centuries, "has an image linked to injuries, because someone or something is conveyed that idea, it would be very difficult to have invented the expression "caused by the crucifixion, "Had to have a direct transmission of what was Jesus in that period."
Remember that the canvas appeared on a monastery sacred to three religions-Judaism, Islam and Christianity, and could stay there for these references.
"There are objective factors that indicate the survival of Jesus in the Shroud or art, with the peculiar way of presenting a gesture that has remained over time, both in art and in the liturgy" he says.
With his previous book "42 days. Forensic analysis of the crucifixion and resurrection of Jesus Christ" surprised Lorente with the theory that Jesus did not die on the cross and was resurrected. Suggests that regained its respiratory mechanism, returning to life in a process of biological resuscitation. "
For this new book begins there, for hours after the crucifixion and the analysis of that period, which coincided with the spread of Christianity, until he died, probably surrounded by his disciples, who fired a man "bent by the aftermath and the problems he suffered during that time." "It could take years, but as forensic data not find one tell me how many, but it is true that he had a life full of sequels, could hardly walk or move easily, have trouble breathing in the aftermath of the spear, but could have all the brilliance and significance of the figure of Jesus, "he explains.
The author does not want to provoke a confrontation with the Catholic Church, a religion with which he claims to be identified, but to show its evidence forensic training can perceive.
"I come to conclusions that can be discussed scientifically, but never seek to attack or question anything, the tone of the book is that, what I do is share to be integrated in a broader context, "said Lorenz, who believes that" if this is the product of a miracle, then perfect, I will not question anything. "
With the book, Lorente wants to publish his thesis," but not with the intention of modifying the great dogmas, but with the intention of making a belief something closer and more human. "
Dr. Miguel Lorente
SINAI the Pantocrator :
The Pantocrator Santa Catalina is an icon that is located in the Santa Catalina Monastery in Sinai (Egypt ).
images Christ ancient Greco-Byzantine area, which depict him as the King, victorious, powerful and triumphant, with the Greek name of the Pantocrator, which means this: the King.
The monastery of Santa Catalina has the most famous icon of the Pantocrator, painted in the sixth century. It is particularly striking similarity between this icon and the face of Shroud of Turin, suggesting that the former was painted along the lines of the second. It is the world's most famous icon orthodox, together with The Virgin of Vladimir , and served as a model for generations of artists and Orthodox Byzantine canonical image of Christ. Source Wikipedia
A1tor_del_Sina http://es.wikipedia.org/wiki/Pantocr% C3% AD% C3%
http://webs.ono.com/sabanasanta/pag60.htm
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